Adam at Six A.M.

1970

Action

1
IMDb Rating 0 10 0

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Synopsis


Uploaded By: FREEMAN
June 19, 2021 at 12:54 PM

Cast

Meg Foster as Joyce
Grayson Hall as Inez Treadly
Joe Don Baker as Harvey Gavin
K.T. Stevens as (uncredited)
720p.WEB 1080p.WEB
922.29 MB
1280*714
English 2.0
R
23.976 fps
1 hr 40 min
P/S counting...
1.85 GB
1920*1072
English 5.1
R
23.976 fps
1 hr 40 min
P/S counting...

Movie Reviews

Reviewed by aimless-46 7 / 10

Intelligent Theme

Although I can answer the question of what movie they watched at the drive-in ("The Reivers"-1969), there is no obvious explanation for the "Adam at 6A.M" title. Adam (played by Michael Douglas) does not do anything special at 6AM - maybe the title just symbolizes his newness, since 6AM could be considered the waking hour of the new day of the rest of your life. Anyway, Adam is a newly minted linguistics professor at a California college. He comes from a wealthy California family (his father is a relatively famous musician turned house builder) with roots in small-town western Missouri. Adam has just received his PhD and an appointment as an assistant professor. Summer break has begun and it gives him an opportunity at age 30 to stand back and take a look at where he is and where he is going. He doesn't particularly like what he sees and upon learning of a distant aunt's death in Missouri he impulsively drives there for her funeral, in his Porsche 911 (if there was a Porsche 611 it would at least explain the title).

Given its 1970 release, this film was attempting to cash in on the box-office success of The Graduate and Easy Rider. While there are related themes it is considerably less imaginative and much more conventional in tone and production technique.

As the vaguely disgusted Adam drives east into the unknown his energy level increases with his forward motion. The awkward and uncomfortable moments at the funeral and the reception are the most authentic scenes in the film. A highlight is a discussion of the movie "Blow-up" with a disgusted relative who went to the film thinking from its title that it was a war picture.

Adam is about to move on when he is introduced to Jerri Jo (Lee Purcell). They go to a drive-in movie (see The Reivers comment above) and soon fall in love. Unfortunately the Douglas/Purcell romantic scenes are weak and only the hormonal aspect of their relationship is believable. Douglas decides to spend the summer in Missouri and gets a job clearing brush for the local power company. The work crew certainly looks authentic; since they only have a couple lines of dialogue they may have actually been some local hicks.

He thrives in his new job and sincerely enjoys the change of pace and the lack of complications. He becomes friends with Joe Don Baker (apparently the only other professional actor on the crew) and sees how his marriage and kids keep him trapped in a going nowhere life. For some reason this depressing situation inspires him to propose to Jerri Jo, who has a very different idea of what their marriage will be like. There was a little foreshadowing about this back when Adam was explaining his academic specialty (semantics) to one of his relatives; he cited the communication problems that occur between two people when they have different meanings for the same word. Adam's idea of marriage is traveling around together having adventures. Jerri Jo's idea of marriage is setting up house in her hometown with her husband teaching semantics at the local college.

It slowly dawns on Adam that he and his prospective bride do not share the same vision of marriage. This is done through a wonderful semi-montage sequence of engagement party decorations, father-in-law dressed in an apron, hair curlers, laughing relative, domestic discussions with Jerri Jo's girlfriends, and the ice cream fetching errand. Adam leaves the party and drives to the A&P for ice cream. You suspect that he is going to bail out on the whole Missouri thing so having him actually buy the ice cream was a stroke of genius. He could have just left town immediately but this builds suspense, puts a more positive slant on his decision to leave (i.e. it is not just an impulsive irresponsible act-he gives it careful consideration), and it provides a prop for a great final image.

What Adam is saying is that he does not want to be like most people, he does not want to construct a small world for himself where he can keep everything orderly. He does not know exactly what he wants but he does know for certain that he does not want the average. Although this is a low budget production with some major flaws, it is a very solid effort. The theme is compelling, the score communicates as much as the dialogue, Douglas and Baker do a good job, and Purcell is very pretty.

Reviewed by lnonemaker 5 / 10

This movie was filmed in my hometown of Excelsior Springs, Missouri.

That would be the only reason why I would watch it again. I was 3 years old when it was made, but I remember my parents talking about how exciting it was to have Michael Douglas staying in our little 'ol town and how everyone in town were extras in the movie. I've seen it as an adult and the only thing I enjoyed about it was looking for familiar faces and familiar places in my hometown. I would imagine anyone not from my hometown wouldn't enjoy this movie as much as I did.

It is kind of an interesting movie to watch, early in the career of Michael Douglas. I believe this movie was made before he did Streets of San Francisco which by the way I absolutely loved!

Reviewed by rwint 6 / 10

Great Chance to See Michael Douglas in a Early Role

Idealistic college professor decides to find himself by spending a summer in the midwest as a laborer. He meets and falls in love with a beautiful young lady who, to his regret, cannot share his same vision. Biggest differance here is that the other laborers aren't potrayed as ignorant, suspicious, bigots. Instead we see them as friendly, helpful, and interesting people. Does degenerate into the perverbial bar fight, but mostly this is a subdued, almost loving look at Americas' heartland. Great chance to see Michael Douglas in a very early dramatic role. (He did this even before STREETS OF SAN FRANCISCO). Lee Purcell is also quite good becoming easily identifiable of most young ladies of that era (and even today). She willingly takes on the more 'liberated' values of the younger generation when it is conveniant and fun, but is unable (and unwilling) to break from the mores of the enviroment from which she was raised. Has a good final shot.

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