Beach Red


Drama / War

IMDb Rating 6.3 10 1251

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Uploaded By: FREEMAN
October 12, 2020 at 02:22 PM



Rip Torn as Sergeant Honeywell
720p.BLU 1080p.BLU
951.58 MB
English 2.0
23.976 fps
1 hr 43 min
P/S 52 / 129
1.73 GB
English 2.0
23.976 fps
1 hr 43 min
P/S 62 / 115

Movie Reviews

Reviewed by SgtSlaughter 10 / 10

A Beautiful, Tragically Honest Look at Warfare


Rarely does a low-budget film make a major impact on one's life. If one watched "Beach Red" and walks away unaffected, then I must say the fault lies with the viewer – not the film. With haunting images and unflinchingly honest dialog, director Cornel Wilde drops a great big bomb on the audience.

"Beach Red" tells a straightforward story of an American Marine company which assaults a Pacific island, held by fanatical Japanese troops. The main characters include Captain MacDonald (Cornel Wilde), a former lawyer who hates the war he's forced to fight, and loves his wife and simply wants to return home. He struggles with holding the lives of men in his hands and being responsible for their deaths. Sgt. Honeywell (Rip Torn) is a career soldier, whose only goal is to kill Japanese and get his platoon through the war alive. Pvt. Cliff (Patrick Wolfe) is a minister's son who is not prepared for the horrors of war; and his only friend, Pvt. Egan (Burr de Benning), is an uneducated southerner who spends his free time flashing back to sexscapades. Rounding out the group is Colombo (Jaime Sanchez in a non-stereotypical performance), an insecure, somewhat cowardly veteran who chooses to conceal his fear with excuses to avoid criticism.

Wilde fleshes out these character using two rare techniques: the first involves brief flashbacks, often told with still frames shot in surreal colors, set to soft, soothing music while the character in question narrates the action. Characters may be conversing, but they're really talking to the audience. Each of the leads also has a number of voice-overs, which put the viewer inside their head. These voice-overs are simple and match the way a character would talk out loud; unlike the 1998 version of "The Thin Red Line", in which voice-overs were deeply philosophical, these thoughts are haunting and simple. Wilde uses the same techniques in scenes involving the Japanese, which breaks down the barrier between the "good guys" and "bad guys". These are just ordinary men on both sides of the battle line, involved in a war they don't want to be fighting. Yes, there is definitely an enemy, but they are not demonized and stereotyped as in other war films of the period. The Japanese are a formidable, foe, yes – but ordinary men with lives and families just like the main American characters.

Wilde uses color cinematography ceaselessly and perfectly. The opening beach assault takes place on a sunny day, and characters bleed and die on a beautiful tropical beach and, later, in the middle of a lush jungle. The atmosphere doesn't appear deadly at first, and it's quite sad to see war ravaging and destroying such a stunning landscape. The combat sequences are superbly staged. The first half of the film focuses on an inch-by-inch assault on the beach, encounters with snipers and machine-gun nests. Wilde fills the screen with action at all times. Even though the focus is on one or two main characters, we can always see dozens – often hundreds – of extras in the background. As they crawl through tall grasses, we can hear rustling and heavy breathing. Men scream in pain when they get shot and the dialog is often lost amidst the deafening roar of explosions. All of the actors look like soldiers in the middle of a pitched battle: they wade through chest-deep water with forty-pound rucksacks and don't wear any makeup. They're genuine soldiers in the middle of a genuine battle. The on-location shooting in the Philippines really gives the battle scenes a look of authenticity not often found in similarly-themed films of the same time period.

Wilde doesn't sanitize the graphic nature of war, either. Unlike many films of the 1960s, he uses graphic violence quickly and shockingly to help illustrate his themes. Quick, graphic moments are used only to shock and are not dwelt on or eulogized. One character has his arm blown off on the beach and we see a close-up of him staggering about in a delirious stupor, bloody stump gushing and severed limb lying on the ground. Close-ups of bayonet and knife stabbings are also pretty gruesome. There's another, tense scene in which the American infantrymen must storm a bunker complex and use flamethrowers to drive out the Japanese within; the aftermath is more-than-effective. These shots of death and destruction are shocking and rapid; then the focus moves on. Wilde makes his point with one or two frames, a line or two of dialog, or just a facial expression. He doesn't need to dwell on it. We get the message.

Wilde's film is a moving statement about the futility of warfare. The final foxhole scene, in which two enemies sit wounded facing each other and share cigarettes and water as they lay dying, is poignant without being an overstatement. The pain and sadness on each character's face is real as they realize that the only difference between them is skin color and uniform. At heart, they're both innocent kids, caught up in a conflict they don't want to be in. They should be at home with their girlfriends and families, not sweating, bleeding and dying in the midst of an inconsequential tropical island.

"Beach Red" is simply one of the great unknown war films. The ensemble cast never misses a beat, the battle scenes are grim and expertly staged, and the scenery is captured perfectly. This is easily the best fictional film about an island campaign to date, and one of the best war films ever made.

Reviewed by ma-cortes 6 / 10

Provoking and strange warlike picture ; being acted , written , produced and directed by Cornel Wilde

Visually compelling and focused on the battles of a group of Marines and on men's determination to survive their tour of duty . Intense and bloody fight for an occupied Pacific island and shot in Philippines outdoors . This is a thought-provoking as well as exciting wartime film about a spectacular battle for an essential island on the Pacific toll in which a typical crew of Marines fighting the ¨Yellow Menace¨ and it considered to be by some reviewers one of the best American films about the Pacific conflict during WWII ; however , being sometime slow , boring but generally worthwhile . At the beginning the American Marines ashore on a Japanese-held island . As an US marine unit formed by Captain MacDonald (Cornel Wilde) , Sergeant Honeywell (Rip Torn) and Privates (Jaime Sánchez , Burr DeBenning , Patrick Wolfe) fight against the defenders of a Japanese held island , both sides are haunted by their own thoughts and memories ; as battle experience hardens soldiers . What follows are a series of bloody attacks , on the beach , jungles , mountains in which the rifle company fighting Japanese who hold killers gun-machines and other deadly weapons .

It is first hand account of a notorious battle on a Pacific island , and against an important base on a solitary atoll . Focusing on relationship between Capt. MacDonald/Cornel Wilde and his soldiers . Effectively portrays the dehumanizing psychological effects , battling soldiers on both sides are haunted by memories of home and the terrifying , sickening images they experience in combat , and using flashbacks by means of photos and images about their past existences . While the relationship between captain and his men makes the biggest impression and delivers the interesting main plot , among many sub-plots , some of which go nowhere . Interesting screenplay based on Peter Bowman's uniquely constructed novel "Beach Red" , it was published in 1945, near the end of World War II . The sequence in which Japanese troops tried to fool the US Marines by wearing their uniforms was taken directly from the source novel . This dark story produced/acted/directed by Wilde is immensely exciting , firmly characterized on its roles and in places very moving too . The film brings home the true horror of battle and the meaninglessness of it all and visually is stunning . Dealing with the inner thoughts , feeling and philosophical leaning of the soldiers , the picture sacrifices continuity to study several questions , utilizing records , memories and many other things . Combat images are naturally , well filmed and effective , getting spectacular scenes such as the impressive plane attacks on the ending . Atmospheric and evocative cinematography by Cecil Cooney . Sad and touching song sung by Jean Hagen , Cornel Wilde's wife . The movie has only one musical element , this song written by Antonino Buenaventura and it also is heard in other variations throughout the flick . Filmed in the Republic of Philippines and in Japan , the producer gratefully acknowledges the dedicated efforts and the cooperation of the entire cast , Department of National of Defense , the R.P. Marine Corps , the R. P. Navy , the R.P Army , the R.P Air Force , the R. P. Constabulary , the R.P. Research Institute , the R. P. Department of forest and a particularly the friendly and considerable people of the Philippines .

This harrowing motion picture was compellingly starred , written , produced and directed by Cornel Wilde , being released through United Artists . Wilde does a competent job both as actor and filmmaker . It's amazingly well done movie , being Cornel Wilde's best film . He is especially credited as a good actor but also known for directing some acceptable flicks . His later films were of varying quality, and he ended his career in near-cameos in minor adventure films . As he directed adventures as ¨Maracaibo¨ ,¨Lancelot and Guinevere¨, ¨Sharks' Treasure¨ but also Noir Cinema as ¨The Devil's Hairpin¨, ¨Storm Fear¨ and Sci Fi : ¨Blade of Grass¨. ¨Beach red¨ rating : 6.5/10 , good film , well worth watching . Essential and indispensable seeing for warfare fans . It's a good stuff for young people and war movie lovers who enjoy enormously with the extraordinary battles in the lush jungle.

Other fundamental tales based on Pacific landings were the followings : ¨Thin red line¨ by Andrew Marton with Keir Dullea and Jack Warden and ¨Thin red line¨ directed by Terence Malick with star-laden cast as Jim Cazievel as Private protagonist , Sean Penn as the Sergeant , and many others as George Clooney, Nick Nolte and Woody Harrelson . Furthermore , another important film about Guadalcanal battle turns out to be ¨Guadalcanal diary¨ by Lewis Seiler with Anthony Quinn , Preston Foster, Lloyd Nolan and Richard Conte .

Reviewed by Theo Robertson 6 / 10

Not A Great Film But A Very Influential One

No one can accuse Cornel Wilde of being a subtle film director . BEACH RED shows the same flaws that made the film version of John Christopher's novel NO BLADE OF GRASS a memorable movie for the most bizarre reasons . That novel didn't contain any environmentalist subtext or agenda but Wilde decided to batter the audience to death with a pollution is bad kids message . He also used strange directorial techniques that felt that they belonged in an entirely different movie . In this movie that was made three years previously Wilde has a similar sledgehammer approach which works slightly better but even so you'll remember this film due to its storytelling more than its actual story

From the outset you can see BEACH RED is a war film with a difference but tries just a little too hard . It has cinematic art-house pretensions but possibly not the budget and probably not a cerebral enough director to pull off the ideas presented . That said Wilde does deserve some credit for making what is effectively a B movie in to something that sticks in the mind . It also be judged against the context it was made . The Hays Code was still in place but Wilde has tried to push the boat out as to what he can get away with and it's relatively sadistic and graphic for a movie during this period . Likewise the Vietnam War was escalating and throughout the narrative there's a strong element that just because the enemy is not from a WASP nation it doesn't necessarily make them evil because the enemy is still human

It's impossible to mention BEACH RED without mentioning later , better , more critically acclaimed films namely APOCALYPSE NOW , THE THIN RED LINE and SAVING PRIVATE RYAN . The extensive use of voice-over whether it relates to the nature of war , profound existentialism or merely hoping to get home in one piece along with the imagery seen here has had a very clear influence on Coppolla , Malik and Spielberg . Malik especially has taken the ideas presented here and made them more effective in THE THIN RED LINE which critics described as " an interesting failure " . Perhaps BEACH RED deserves the same dubious backhand compliment ?

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