The Third Secret


Crime / Drama / Mystery / Thriller

Rotten Tomatoes Audience - Spilled 57%
IMDb Rating 6.7 10 564


Uploaded By: FREEMAN
Downloaded 13,635 times
March 06, 2019 at 09:21 PM


Judi Dench as Miss Humphries
Richard Attenborough as Alfred Price-Gorham
Peter Sallis as Lawrence Jacks
Pamela Franklin as Catherine Whitset
720p.BLU 1080p.BLU
837.83 MB
23.976 fps
1hr 43 min
P/S 0 / 3
1.61 GB
23.976 fps
1hr 43 min
P/S 0 / 7

Movie Reviews

Reviewed by joandaniels 10 / 10


I was the edge of my seat! A suspenseful Who Done It with compelling performances by Pamela Franklin and Stephen Boyd in challengingly complex roles. The plot is fairly progressive for its time - the topic of mental illness still somewhat taboo in our society. I read somewhere that Stephen Boyd was so taken with the story and the character, he took a sizeable pay cut to play the role of Alex. Versatile actor that he was, he seemed to most enjoy those demanding and unusual character roles with substance and depth that really challenge an actor and in which he performed so notably well. And Pamela Franklin, at the age of 14, is an incredible actress taking on a role that veterans would not have managed nearly as well.

Great story - great film - great acting!

Reviewed by Aldanoli 10 / 10

A taut, brooding mystery, with Stephen Boyd well-cast in the lead.

A British psychologist has apparently committed suicide, but his teenage daughter is convinced it was murder and asks one of his patients (Stephen Boyd, as an expatriate American journalist) to investigate. Somber, brooding, introspective tale, with Boyd well-cast in the lead; elegantly written (worthwhile just for the dialogue), and moodily shot in black and white. Regrettably, the film is inaccurate in its portrayal of psychiatry; despite what the script says, people suffering from paranoid schizophrenia are no more likely to be murderers than anyone else, and people with schizophrenia cannot hide their illness as though they were undercover spies. That small suspension of disbelief aside, the film ruminates on all sorts of interesting ideas that fit together like inlaid wood.

The film is enhanced by an excellent cast, including Jack Hawkins, Richard Attenborough, and Diane Cilento as the three suspects, the now-legendary Judi Dench in her first credited role, and the much under-rated child actress, Pamela Franklin, as the psychologist's daughter. In particular, though, Attenborough's performance as an awkward, insecure art dealer stands out as a remarkable contrast to his performance in another film of 1964--"Guns at Batasi," in which he plays a tough, almost indestructible British Army sergeant.

Reviewed by foxfirebrand 9 / 10

Spooky and erotic

Pamela Franklin is at her precocious best in this tale of "psychoanalytical" intrigue with boundary-crossing sexual overtones. Precocity often took her into territory it's now fashionable to call "inappropriate," such as the schoolgirl love interest she played with a randy old artist in "The Prime of Miss Jean Brodie." Though understated and implicit in "The Third Secret," her emotionally-troubled character's relationship with Stephen Boyd's character is in this same vein. All of 18 when I saw this in theatrical release, I was captivated. The movie is still a guilty pleasure, though you have to suspend a lot of disbelief to get back in that naive early-60s groove when sexuality was still portrayed indirectly through characters who were not exactly the Free Spirits that populated such films later in the decade.

Look for a spooky cinematic trick toward the end of the film, when Stephen Boyd's character is just starting to unravel the big Secret. Pamela makes a statement about how many patients her father had-- Stephen thinks he misheard her, and asks her to repeat what she said. Watch carefully for the "subliminal" trick, which could easily go unnoticed-- it made the hair on my arms stand up.

Hokey in parts, and based on some then-commonplace misconceptions about psychiatric disorders, the movie still works if you can accept it on its own terms. At the very least its understatement is a refreshing change from the noise-saturated frantic bombast of today's not-so-spooky films, with their mindless reliance on sensory overload and oh-so-special effects.

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