Fat City


Action / Drama / Sport

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 85%
IMDb Rating 7.4 10 6744


Uploaded By: OTTO
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January 23, 2015 at 01:32 PM



Jeff Bridges as Ernie
Stacy Keach as Tully
Candy Clark as Faye
720p.BLU 1080p.BLU
757.35 MB
23.976 fps
1hr 36 min
P/S 0 / 3
1.44 GB
23.976 fps
1hr 36 min
P/S 0 / 9

Movie Reviews

Reviewed by drednm 8 / 10

Susan Tyrrell Is Superb

John Huston's look at the grim world of boxing, as seen from the lowest possible level of the "sport." Story follows two boxers in Stockton, California. Tully (Stacy Keach) is a one-time fighter now working as a migrant farm hand. He thinks he has one more comeback in him, but he's been living the life of an alcoholic for years. Ernie (Jeff Bridges) is a fresh-faced kid who wanders into the sport when he's taken on by a local manager (Nicholas Colasanto). Story follows their fights and shows the grim reality of this sport of losers.

Susan Tyrrell is superb as Oma, the alcoholic woman Tully takes up with. She lives on the edge of the garbage heap of humanity and lives only to drink. Tyrrell's performance is electrifying and heart-breaking and earned her an Oscar nomination. Her long scene with Keach, sitting at a bar and drinking cream sherry, is a complete textbook acting class wrapped up in a brilliant performance.

Candy Clark plays Faye and Art Aragon plays Babe.

Reviewed by lasttimeisaw 8 / 10

a strangely disconsolate but whole-heartedly candid social critique of the stagnation and cul-de-sac facing by the have-nots

Glancing with a documentary eye, John Huston's FAT CITY opens with Kris Kristofferson's lugubrious HELP ME MAKE IT THROUGH THE NIGHT to accommodate to a downbeat tonality, and concomitantly fills the screen with montages of the story's locale and denizens, a rundown California town called Stockton in the 50s, and then introduces Billy Tully (a cleft-lipped and hair- receding Keach), a divorced, childless peckerwood and former boxer on the brink of turning 30, doing odd jobs from hand to mouth, he aspires to return to the ring, but both physically and mentally he hasn't been conditioned to reclaim his glory. Meantime, a young stud Ernie Munger (Bridges), recommended by Billy, starts his professional boxing days but is he really the "one in a million" material which Billy sees in him?

The script is penned by the author of its source novel, Leonard Gardner, which warrants fidelity to a large extent but also leans more on Billy than Ernie in the narrative. The boxing scenes, to the lights of a pugilism outsider, are less vicarious and impactful than its more famed cinematic cousins and sometimes one can discern they are playacting, both Keach and Bridges are not toned up in a pro's shape, but that might be the case here, Billy is over the hill, and the allusive reason behind his hard-earned victory is more due to his opponent's deteriorating health than his own prowess. As for Ernie, he loses both two matches presented on-screen and has a soft belly which both literally and metaphorically implies that he is a younger version of Billy, getting married out of onus rather than love, the road ahead of him looks glum, and it speaks volumes in the final close- up where the two boxers sitting sipping their coffee in concert but inside they are miles away from each other (Billy is a lush Ernie tries to avoid), without obvious effort of fumbling for words, that silent moment could be the only time they share before parting company for keeps, no matter how similar their trajectories will be, both Keach and Bridges (at a tender age of 23) are extraordinary players of conveying connotations and embodying nuances.

A boisterous Susan Tyrell snatches an Oscar nomination for her terrific turn as Oma, a barfly who strikes a romantic relationship with Billy, but she is a damaged goods through and through, married twice before, habitually drenched in the hard stuff, Billy might be merely a fling to her while her current lover is in the jug. The two-handers between them are coruscating with sheer communion (in the seedy bar where they engages themselves from small talk to wearing their affectionate hearts on their sleeves), or blistering intensity (in their equally mangy bedsit where Huston pulls off the most kitchen-sink spat in the American map), she is an attainable lure for a rough diamond like Billy, but she will do him no good, and the vicious circle will never cease to repeat, time and again, because loneliness brings people together but it takes a helluva luck to be able to stick together.

In a word, FAT CITY is on the top rung of Huston's corpus, a strangely disconsolate but whole- heartedly candid social critique of the stagnation and cul-de-sac facing by the have-nots, bestowed with a sublimely subdued texture with unobtrusive dexterity, but as a boxing drama, it still looks rough-hewn and conspicuously pulls its punches in terms of veracity.

Reviewed by Jon Corelis 9 / 10

An unforgettable classic

For a prize fighter, winning is everything, but if you're a loser when you climb into the ring, you're still going to be a loser when you come out, even if you KO your opponent. Such might be the moral of this very atypical sports movie, starring Stacy Keach and Jeff Bridges as aspiring fighters in the lower echelons of the boxing game in and around Stockton, California.

John Huston was one of the most commercially and popularly successful of mainstream Hollywood directors, making such major classics as The Maltese Falcon, The Treasure of the Sierra Madre, and The African Queen, yet most film historians and critics have been reluctant to rank him among the best cinematic artists. Fat City makes it hard to see why: this gritty, realistic film is one of those great films which surprises you by how much more it seems like real life than like a movie. Keach and Bridges both give what may be their best performances, and Susan Tyrrell, an actress better known for stage work, gives an unforgettable performance as an alcoholic barfly, for which she was nominated for an Oscar, and she should have won.

Fat City is not at all a typical sports film, which by Hollywood convention must show a hero overcoming early difficulties to rise to stardom, nor is it really about boxing, though it includes an extended fight scene which may be the best ever included in a Hollywood film -- the fact that Huston was a prize fighter himself in his youth no doubt adds to the authenticity of the prize ring atmosphere. But this is a film about people, very flawed people who manage to hold onto some shreds of integrity and to be kind to one another, despite the fact that they are all in their own desperate situation. The atmosphere of the seedy towns and endless fields of California's Central Valley, a rare location for major films, is portrayed with great vividness and accuracy.

All in all, not a fun film, but an unforgettable one. The Sony Home Entertainment DVD is of acceptable quality, but this film really needs to be remastered and put on Blu-Ray.

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