Soylent Green


Crime / Mystery / Sci-Fi / Thriller

IMDb Rating 7.1 10 52559


Uploaded By: FREEMAN
Downloaded 22,725 times
April 10, 2019 at 12:59 PM


Charlton Heston as Detective Thorn
Chuck Connors as Tab Fielding
Edward G. Robinson as Sol Roth
Joseph Cotten as William R. Simonson
720p.BLU 1080p.BLU
804.31 MB
23.976 fps
1hr 37 min
P/S 7 / 16
1.53 GB
23.976 fps
1hr 37 min
P/S 2 / 20

Movie Reviews

Reviewed by Loadmaster 10 / 10

A classic even after 30 years

This was Eddie Robinson's 101st film and his last, and he died of cancer nine days after shooting was complete. All of which makes his key scene in the movie all the more poignant.

Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.

Several things make this film a classic. The story is solid.

The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.

The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.

And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.

This film is one of my top sci-fi films of all time.

Reviewed by Hey_Sweden 8 / 10

The 1970s was another mighty fine decade for science-fiction.

Nowadays, it's easy to suspect governments and big corporations of just about any nefarious doings. And there's a sinister plot afoot here to deal with an Earth of a future year (2022, just five years away in reality), where the "greenhouse effect" and over population have turned the planet into a portrait of Hell. For example, the opening text tells us that there are 40,000,000 people in NYC alone. A hard-driving NYPD detective, Thorn (Charlton Heston), stumbles onto something big when he investigates the murder of Simonson (Joseph Cotten), a corporation bigwig.

Partly because this movie has been in the public consciousness for so long, it's hard to imagine many people not knowing what the story's big reveal is. You of course won't hear it from this viewer, but it's not hard to figure out. Still, the plot constructed by novelist Harry Harrison (originally titled "Make Room! Make Room!") is intriguing enough to pull you in, and keep you entertained. It might not be quite meaty or involved enough for some "tastes", mind you. Part of Thorn discovering the big secret involves our wrongdoers not seeming to go to great lengths to keep it hidden.

One of the most impressive marvels is the use of extras, as MGM and director Richard Fleischer (of the classic Disney adaptation of "20,000 Leagues Under the Sea") give us an amazing depiction of overcrowding. For instance, every day, on his way to work, Thorn has to clamber over dozens of bodies filling the corridors and stairways of his run down building. Excellent use is made of classical music, both pre-existing and new stuff composed by Fred Myrow ("Phantasm").

The cast is full of reliable, familiar actors: Chuck Connors, Brock Peters, Paula Kelly, Stephen Young, Mike Henry, Lincoln Kilpatrick, Roy Jenson, Leonard Stone, Whit Bissell, Celia Lovsky, Dick Van Patten. Leigh Taylor-Young is beautiful and endearing as Shirl, a young woman living in a future where a young woman can be referred to as "furniture" and simply come with an apartment. Heston is solid as usual, but "Soylent Green" really belongs to the wonderful Edward G. Robinson, around 80 years old at the time and making his 101st feature film appearance. Sadly, it would turn out to be his last, making his final scenes even more poignant and powerful.

This is definitely striking entertainment, even more when one considers the ending.

Eight out of 10.

Reviewed by travis-46 10 / 10


I saw Soylent Green back in 1973 when it was first released and maybe another eight times over the years on T.V. or video. It was always one of my favorite sci-fi and/or Charlton Heston films.

Recently, the Egyptian theater in L.A. had a twelve film Charlton Heston retrospective. I flew in from out of state to see six of the films over a two day period. Soylent Green looked great on the large Egyptian screen with a perfect new print. From its opening montage to the going home scene to the great ending the film was fantastic.

Charlton Heston as a cop who lives in a dog eat dog world with few natural resources left and no understanding as to how the world used to be and Eddie Robinson as a man who remembers the past are both great.

Their chemistry together is wonderful. The film also looks so much better in a great 35mm print. Fleisher really knows how to fill the screen,and the cinematoraphy, writing, music used, and everything about it works. The film is also very powerful in its bleak and very possible view of the future. Just think how the world population grew, the rain forest that disappeared, resources used up, green house effect getting worse since 1973. I just wonder why this film has not played in theaters all these years. Its reputation should be better.

Speaking of reputations, often people speak as if Charlton Heston is not a great actor. Seeing him in El-Cid, Soylent Green, The Warlord, The Omega Man, Will Penny, and Major Dundee back to back I am convinced he is one of our best actors. Of course he made about a dozen other great films and for those that care you know what they are.

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