Love with the Proper Stranger


Comedy / Drama / Romance

Rotten Tomatoes Critics - Certified Fresh 80%
Rotten Tomatoes Audience - Upright 87%
IMDb Rating 7.4 10 4307

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Uploaded By: FREEMAN
March 12, 2021 at 04:03 AM


Steve McQueen as Rocky Papasano
Natalie Wood as Angie Rossini
Arlene Golonka as Marge
Edie Adams as Barbie
720p.BLU 1080p.BLU
922.45 MB
English 2.0
23.976 fps
1 hr 40 min
P/S counting...
1.67 GB
English 2.0
23.976 fps
1 hr 40 min
P/S counting...

Movie Reviews

Reviewed by jarrod76 9 / 10

Charming and brilliant

Watching this film today, it's easy to forget how daring it was for its day (1963) -focusing on an illegal abortion.

It's also an fascinating mix of conventional romantic comedy mixed with real grit and passion - and the fact it starts off as unconventional as possible; girl meets boy, girl gets pregnant, girl and boy try to organise an abortion - and THEN girl and boy fall in love.

Natalie Wood was often miscast throughout her career - her dark beauty was used to try and pull of Nat as Hispanic, Nat as half-black, Nat as Mexican. In this film she's cast as Italian, and pulls it off perfectly. This could possibly be her greatest performance (alongside Splendor in the Grass and The Cracker Factory). She received an Academy Award nomination for this film. She gives such a natural performance (usually she's more self-conscious on film) - she is such a joy to watch and absolutely stunning.

Steve McQueen is at his most charming - usually he is playing the hero of an action film, so its great to see him display tenderness. Wood and McQueen have such great chemistry, its a shame this was their only film together.

Added to the mega-watt performances is the beautiful black and white cinematography and the NYC location shooting. A great film. Completely underrated.

Reviewed by ruby_fff 8 / 10

Memorable performances by Natalie Wood and Steve McQueen - perfect together

I really like this film. It's exciting to watch these two wonderful talented actors working together. "Love With the Proper Stranger" is always a favorite and I'm irresistibly hooked on repeated viewing.

Natalie Wood is the feisty young working woman struggling for her chance to be independent, to live away from the family (attached Italian parents and brothers in NYC setting) and be on her own terms. Steve McQueen is the center of opposite attraction: the problem and the goal. He is a union musician who is trying to be financially independent; he also has close family ties with both endearing mother and father. Edie Adams is in a supporting role as McQueen's girl friend with an apartment to lean on. Tom Bosley is the kind and good-hearted suitor that Wood's character's family approves. It's a heart-warming, very much a 60's love story that touches on the tough subject of abortion, yet brims with humor, drama and affectionate smiles.

Shot in black and white; music by Elmer Bernstein, with the theme song sung by Jack Jones; produced by Alan J. Pakula; the film is keen and sensitively directed by Robert Mulligan. His films include the award winning 1962 "To Kill A Mockingbird"; the intriguingly haunting 1972 "The Other"; an unforgettably fun 1961 "Come September" with Gina Lollobrigida & Rock Hudson, Sandra Dee & Bobby Darin in Italy; the 1971 classic coming of age film "The Summer of '42" with lovely Jennifer O'Neill; and another poignant coming of age story from a girl's point of view in 1991 "The Man In the Moon", with Reese Witherspoon in her impressive film debut.

Reviewed by rupie 8 / 10

good on-screen chemistry makes for a great little film

Very satisfying movie that involves us completely in the conflicted relationship of the leads, played beautifully by McQueen and Wood (evidently Paul Newman was originally slated for the part). We find ourselves really rooting for them to get together. Sounds like a soap-opera "chick flick", but the story is sufficiently gritty and has enough comic touches to appeal to the guys, too. B&W works well to emphasize the New York atmosphere of the flick, with its many locale shots. The ethnic Italian ethos is well-captured, too. And to top it off is a wonderful score by Elmer Bernstein, whose music veers awfully close to sounding like that other Bernstein (and that's not a criticism!). I don't know why we don't see this one more often; thank you American Movie Classics.

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